JAMES P. BLAIR

PHOTOGRAPHY

ARTIST BIO

Jim Blair studied at the Institute of Design at the Illinois Institute of Technology in Chicago. As a freelance photographer, Blair has had commissions from the U.S. Information Agency, Time, and Life magazines. He spent over thirty years on staff at National Geographic. His photographs are represented in the permanent collections of the National Portrait Gallery (Washington DC), the Museum of Modern Art (New York City), the Portland Museum of Art (Maine) and the Carnegie Museum of Art (Pittsburgh). Since retiring from the National Geographic Society in 1994, Blair has continued to photograph and teach.

AVAILABLE ARTWORK

ABOUT THE CHICAGO SERIES

In 1954 when I was a senior at the Institute of Design in Chicago I received a ‘finals’ project from my teacher Aaron Siskind. He asked me if I would be willing to photograph for the Chicago Housing Authority. They were doing “urban renewal” projects all over the South Side. So, in the early spring I went to the old, almost destroyed, neighborhood in the other end of town with a social worker from the CHA and she introduced me to Mr. and Mrs. Armister Henton. The idea was to show the ‘before’ life in this condemned house and then the ‘after’ when the family moved into a brand new high rise apartment building.

I spent six weeks going down to the South Side every day to photograph the exterior and interior of the apartment they were living in. My experience of being with the family taught me that love, like the unconditional love between mother and daughter, if it is really strong enough, can conquer all, even in a rat and cockroach infested condemned one room apartment with little heat and only cold running water.

The family did move into one of the new high-rise apartments and for a time the CHA efforts were very successful. But, by 1965 the projects had become dangerous places to live and were completely demolished by 2011.

ABOUT THE LAST LEAF SERIES

This is an exhibit that began with my first major assignment on the environment, in 1970, for the National Geographic.  In subsequent coverage’s thru the years I have become more and more concerned about our ability to control the damage we are doing to the earth and feel sure we have now entered an era where what we do, or what we do not do, now, in this generation will be the determining factor in shaping the future of our planet.

My intention as a photographer is to draw attention to this most familiar and beloved part of our Vermont landscape. I want to show how complex and beautiful even these most common elements of nature are. So I have selected these leaves that I picked up as I wandered around the “TAM” trail here in Middlebury. I brought them into my studio and photographed each leaf with an antique eight by ten inch view camera. In order to achieve the greatest detail I put the negative in contact with the positive printing paper, exposed them to light and then developed and fixed the print that you see here.

What do I see when I look at these images? I examine each image closely and I am amazed at what I see in front of me. Beneath the apparent chaos of the forest there is in each leaf a complex but a very ordered world that is beautiful.

If this vision of the future is correct, and I believe it is, then we must begin to think of these leaves as small relics of what we have now but may loose in the not so distant future as the forest changes in response to the slow but steady increase in the temperature of the earth.

I think they are worth remembering.

Edgewater Gallery
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