DIETLIND VANDER SCHAAF

The Japanese word jikan refers to the silence between two thoughts. In this vein, my work is an attempt to render temporary, fleeting moments of beauty, balance, and stillness visible. I describe my paintings as the place where the inner landscape and the outer landscape meet. Through texture, pattern, mark making, and color, I convey an emotional tone of calm-centeredness. There is a strong narrative underpinning present. Each painting is a poem of sorts.

Many of my paintings take their inspiration from bodies of water. In these pieces I am trying to capture both surface patterns created by wind or light and a sense of optical depth – as if one were looking down through the water to the ground below. Water is both a real physical presence and a metaphor for human experience.

My work references teachings from Zen Buddhism, Christian mysticism, the poetic traditions, and contemplative practices including yoga and meditation. I am influenced by writings on meditation and quiet by Pico Iyer, Jon Kabat-Zinn, David Hinton, and Gordon Hessler, as well as the minimal work of artists Agnes Martin, Hiroyuki Hamada, and Zarina Hashmi.